We have to answer four questions. About what you wonder? Well writing of course. For people who are used to using our words in a thousand different descriptive ways, I think we sometimes have trouble talking about ourselves. It's a great exercise in looking at ourselves and why we do what we do despite the never ending challenge of it. So here we go ......
1. What am I working on?Bread & Butter the Murders of Polly Frisch. That was back in 2000, when self-publishing was nothing like it is today. We've sold the 1st edition right along. Recently we brought Polly into the new world of self-publishing. It is a fascinating story about a woman in the 1850s who poisoned her husband and two of her children with arsenic, and the five trials it took to convict her. It was a challenge to teach myself how to make ebooks.
The second thing is a book on Indian land title in New York State. This at the moment is with an editor of a commercial publisher. I wrote for 2 1/2 years for a Native American newspaper called the Akwesasne Phoenix Sundays. My column was on history and land rights issues. I expanded upon it and put it in book form.
2. How does my work differ from others of its genre?My work is probably different because the subjects are. All do stem from history in one form or another even the non-fiction. I have no problem hoping from Native American history, which in my case involves a lot of research in the clerks office looking at deeds; then picking up true crime from a hundred years ago, or setting that down to play in the fiction world of my characters in The Milk Carton Murders.
3. Why do I write what I write?
4. How does my writing process work?Even in fiction, a lot of research first. I like things to be accurate and believable---historians like facts. In non-fiction, after I have collected enough information where I feel I have enough I start writing. I'm a pantster, so for fiction, no outline. For true crime, or other history, I then usually put all the events in chronological order, right down to the hour and minute sometimes, especially with crimes. With a real crime there is usually pieces I'm missing that I need to look for to fill in the holes, so then I go through again and fill in the blanks during re-write. Lots of edits and beta readers too of course. Sometimes, especially with non-fiction, it's hard to say, "It's done." New records are uncovered all the time. At some point you have to write -The End-.
And now to pick three other writers. :)